JodyJazz mouthpieces clearly reflect attention to detail and finish
with superb craftsmanship throughout. All the critical elements are
present óaccurate intonation, flexibility, centered sound, comfort,
appearance and versatility. The brain behind JodyJazz Mouthpieces
is Jody Espina, a working musician in the New York City area who creates
rubber and metal mouthpieces for soprano, alto, tenor and baritone
saxophones. With years of research and testing behind him, his goal
is for each piece to play like it was custom- tweaked for the individual
playerís needs. One special element of JodyJazz mouthpieces is the
custom-fitted spoiler, a removable wedge with a secondary vibrating
reed patented by veteran mouthpiece maker Santy Runyon. The mouthpiece
response is the same with or without the spoiler in place, but the
sound clearly has more edge and volume with the spoiler. Espina designs
and custom-fits the spoilers so they are easy to remove yet secure.
Soprano sax mouthpieces ($135ñ$299) are available in metal or injection-molded
from a blend of high-tech plastic and synthetic rubber. The Soprano
ESP Gold 75 mouthpiece is metal and created on CNC machines from
a solid bar of brass then plated with 24k gold plating. It produces
a focused sound, not too thin with good intonation throughout the
range and no spoiler needed. The Soprano Ruby Red or Classic Black
8 is a rubber mouthpiece that is available in either red or black.
This is an excellent piece that produces a sweet sound with good
intonation and a nice center throughout.
For alto mouthpieces ($127ñ$329), I tested the Classic Black 8
rubber. Available in blue or black, this superb mouthpiece provided
an even response and warm sound with a little edge throughout and
a comfortable altissimo response. I did not need the spoiler to
achieve the sound I like, but if you need to cut through on a contemporary
or rock gig, the spoiler will definitely do it for you. I also tried
the Alto ESP Gold .090 metal, which, like the metal soprano, is
machined from a solid brass bar with 24k gold plating. Although
Iím partial to rubber on alto, this metal alto piece surprised me
with its clear, warm sound.
Regarding tenor mouthpieces ($137ñ $349), the Tenor Ruby Red or
Classic Black 10 rubber sounds terrific with a nice sound up and
down, and a unique darkness with an edge without the spoiler. The
Tenor ESP Gold 105 is metal (CNC-machined with 24-karat gold plating)
and plays responsively and even with a meaty sound. The Tenor ESP-X
110 metal features a slightly larger tip and also plays great. I
prefer the 105 because the tip was similar to my own mouthpiece.
Regarding the spoiler on the metal tenors, I could go either way.
Without the spoiler, the sound was a shade dark and with the spoiler
inserted it was slightly bright.
I tested several baritone saxophone mouthpieces ($147ñ$379), including
the Baritone ESP Gold 90, which is machined from a solid brass bar.
This is an excellent mouthpieceósmooth, even, in tune and full on
every note from top to bottom. I did not need the spoiler but it
would provide extra edge if desired. The Baritone ESP Gold 110 has
a tip opening two steps larger than the 90 and delivers more punch.
Reminiscent of the Brilhart level-air, the Baritone Classic Black
ìQî 10 has a design unique to the baritone with a smaller profile
to fit the mouth. This mouthpiece screams with a more aggressive
sound yet delivers solid intonation. Designed to deliver more cut
and clarity, itís made from high-tech plastic created on CNC machines.
óPete BarenBregge
Downbeat Magazine, September 2004
Ordering Info: www.jodyjazz.com